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Charity number: 1077161
Company number: 3724349
Showcases an eclectic range of fresh and interesting contemporary work, largely by emerging artists
It’s 1995 and Moira Le Bas has been swept off her feet by the charming Patrick Murphy who has come back to the area after several years away.
Within a year Moira has left school and is starting a new life as Patrick’s wife. She is having the time of her life but her cousin Bridy has some deep concerns about Patrick.
Twenty years later, it seems that Bridy was right. Moira wonders if she should’ve realised what Patrick was like when he promised "I’m never going to beat you."
Based on stories of domestic violence experienced by Gypsy and Traveller women as told to Jennie Buckman (Giants Theatre Company), Never Going to Beat You is a raw and personal piece of community drama. With a cast formed of Gypsy and Traveller women alongside actor Paul McGuinness, the play is an authentic look at the realities of domestic violence within these communities.“
Tickets are FREE but must be booked in advance to guarantee a place. Please click here to book.
14.30 Friday 22nd
19.30 Saturday 23rd
See the sound. Feel the Movement.
Uncover the conversations between music and emotion through choreography and improvisation. Old Kent Road’s unique collaboration combining tap dance with live music creates an exceptional, stirring performance.
In the space of a few years, choreographer Avalon Rathgeb has quickly become one of the UK’s leading forces in Tap dance. Creating her company in September 2014, a glimpse of Old Kent Road’s Fall Out was first performed as part of Resolution! 2015.
Now for the first time at Blue Elephant Theatre, you are invited to experience the premiere of a 50 minute show which brings together some of the UK's finest professional tap dancers, alongside jazz musicians.
These men might be heroes, clowns, simpletons or rogues. What is certain is that there are three of them…or four…(or five) and they are all very French.
These are harsh times: paupers will do anything for a bite to eat, while the gluttonous King Louis will consume anything he can get his grubby hands on. In order to rise from the gutter, one young man must fight for King, Queen and the love of his life to prove his worth. To succeed he’ll need new friends, but with friends like these…
Rats With Wings Theatre adopt a very physical form of storytelling, drawing inspiration from clowning, commedia, Lecoq and slapstick comedy to present a journey of bumbling sword fights, wailing peasants pompous courtiers and ridiculous romances. This series of hilarious scenarios is performed in a nonsensical faux-French, using half mask.
This new stage version of Alexandre Dumas’ classic novel The Three Musketeers aims to explore the comedic speech of the body beyond words.
The yolk of the sun is yet to start melting down the horizon over the Sundarbans - the dense mangrove forest that spreads from the southern shores of Bangladesh to the easternmost corner of West Bengal. A ship, an oil tanker, appears on the river, breaking through the wisps of fog. The ship is slowly sinking.
Thick, dark-gilded liquid seeps from the hulk, approaching the Sundarbans like the jaws of a dragon to swallow it. It will claim everything, choking trees and animals alike in its sticky coils. Enraged by the dark tide, vengeful demons awake in the souls of the Sundarbans tigers, and they begin to feast on humans who venture into the forest. Who will save them?
This is the tale of Bonbibi, a girl left in the Sundarbans as a child and raised by the creatures of the forest. Trouble looms when the greed of humans threatens nature, and conflict between man and beast becomes inevitable. She must embark on a quest to restore the balance between the two, and save the forest.
Daughter of the Forest is an exciting and colourful adventure for all ages. Komola’s new family theatre piece creates the magical world of Bonbibi through puppetry, physical theatre and contemporary storytelling, with music by acclaimed British-Bengali band Khiyo.
Recommended for ages 6+
Keith’s first exhibition after leaving art school was of landscapes (1958). He moved to London as a member of the Free Painters and briefly produced abstracts before exploring the visual relationships between maps and landscape. He was a printmaker in the 1990s before moving on to make figurative ceramic sculptures and showing them with the London Potters. He moved to Camberwell in 2013 to a house with a studio, while still making ceramics, but struggled for direction.
Keith turned 81 in December 2015, and looking at his children’s drawings, became inspired by their particular perceptive nature and in 2016 the creative surge has resulted in over 50 paintings and prints. This exhibition is a representative selection, as part of the 2016 Camberwell Arts Festival.
It is open pre and post show and by appointment during the week. Please call us on 02077010100 if you would like to call in to see it.
In March 2010 Marianne Jonson was found guilty of 23 counts of fraud at Harrow crown court and was sentenced to four and a half years in prison.
Told through first-hand interviews, court transcripts and extensive research, this verbatim play documents the story of a woman who led an extraordinary double life, conning the council out of a whopping £197,000 in fraudulent benefit claims.
Tickets are free but should be reserved in advance by emailing email@example.com
A funny, tragic and ridiculous show about pregnancy, parenting and growing up.
Meet an array of charming and grotesque characters from chefs with birthing recipes to smug mothers, barmy historians and more. Les Femmes Ridicule play with their audience from beginning to end, walking a fine line between comedy and tragedy as they explore many themes of potential parenthood, including miscarriage, infertility and grief. The company's ultimate goal is to have fun with the audiences whilst tackling some of life’s paranoia in a light and unsettling way.
"Slapstick explains childbirth”, "Madness, Genius, Moving” (Audience feedback)
"I was crying with laughter… so good!” (Audience Feedback)
Hump Day Treat! All full-price tickets are reduced to £8.50 on Wednesday 15th June!
There will be a post-show discussion on Thursday 16th June.
Séverine A. Raynaud (1985, France) is a Fine Art portrait photographer.
With a conceptual and symbolic approach, she asks question about the artist's place in the modern society, and challenges the viewer to think about his own.
Influenced by folklore (Celtic, Native American, Asian) and movies (Tim Burton, Hayao Miyazaki) she places her lonely characters (often masked) in enchanted surreal backgrounds and situations. Despite looking dark and moody her artworks are talking about hope, and how finding light in darkness.
"Storytellers transported me as a child into dangerous and enchanted worlds, I remember how I was wondering about how often a nobody could become a hero. There were my favorite stories. I would like to establish the same kind of connection with the viewers through my photography."
Séverine A. Raynaud is currently working and living in London.
The exhibition is open is open to the public before and after our shows and by appointment Mondays to Fridays.
Blue Cloud Scratch is an exciting new dance scratch night curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers.
This is the second Blue Cloud Scratch following our first successful night in March.
For more about the Blue Cloud Scratch and Cloud Dance Festival, click here.
The running time of Blue Cloud Scratch is approxiamtely 2 hours, including an interval and Q&As with the choreographers.
Oom-pah oom-pah is a duet born out of experimentation with two dance genres; contemporary and Argentine tango. The two have very different, quite opposite concepts of femininity: tango with its idiosyncratic idea of sensuality, and contemporary dance with its unisex, androgynous approach to movement. Sometimes these concepts or norms get taken to extremes and become cliched. Masha Gurina and Savina Casarin were curious to see what happens if you relax certain rules present in both genres and let go of our own idea of how we (the performers) should come across.
Choreographer: Masha Gurina
Performers: Savina Casarin and Masha Gurina
With thanks to Debora Di Centa and Chloe Aliyanni
CON-TACTO is a work in progress investigating the intimacy of touch. This is a conversation of movement between two performers, who listen, respond and propose through the perception of the others touch. This relationship starts from tentative beginnings, but finds organic flow, weight and rhythm for a true dialogue to emerge. The touch is longed for yet feared at the same time, creating moments of tension and release.
Choreographer: Piedad Albarracin Seiquer
Performers: Piedad Albarracin Seiquer and Thomas Hands
Composer: Felipe Escalada
Piedad is a Contemporary Dance Artist and through her many years of training and performance, she is now focusing on her own practice. Influenced by her time working with such artists as Jose Adugdo, Estela Merlos and Saorin, Piedad has a articulate and highly energetic vocabulary. Her Spanish playful rhythms are entwined with grounded floor work and Risk taking partner work. Piedad’s non- narrative stories, from the work of poet Julio Cortazar, shows an insight into human connections, with strong imagery colouring the process
LonDOoM is a manifesto for Generation Rent. It is a gripping comedy about housing conditions in the biggest European city. This performance describes the biggest nightmare of every Londoner - hunting for property to rent.
is a manifesto of the ‘generation rent’. It is a gripping comedy about housing condition in the largest European city. This performance describes the biggest nightmare of every Londoner – hunting for property to rent.
In this piece, the audience assists the heroine in her journey. She is a newcomer to the city, and she believes that London will make her dreams come true. All she needs to do to make the world her oyster is to find the room to rent. Nothing could be easier, right?
Bee Dance Company is the collective of artists created in 2015 by Zuzanna Pilat. Our main motivation is to create works that make people wonder. Our aim is to produce interdisciplinary art pieces that brings contemporary dance to a new realm.
Dancer - Inês Zinho Pinheiro
Choreographer/ Dancer – Zuzanna Pilat
Voice Actress – Susan Hoffman
Sisyphus's Wife premiered on 29.01.2016 at The Place as part of Resolution 2016.
Maria Ines Sousa and Adrian Look perform a duet telling a story of despair, purpose, choice and acceptance of fate; inspired by the 19th century Rückert poems about "Weltschmerz" and "The Myth of Sisyphus" by Albert Camus.
Dancers: Maria Ines Sousa and Adrian Look
Choreographer Adrian Look is a freelance dance artist and lecturer for Tanztheater. He is also the artistic director and choreographer of London based T a n z t h e a t e r Adrian Look, founded in 2014.
Immovable - Gleich Dances
Moving towards weight, the dance is engaged with taking up space and posturing, with building up and taking down. Dancers are angles and directions, masculine and feminine versions of themselves. Rough hewn geometries contrast with precise intersections of pointed feet and elbows. This dance for 3 women on pointe is approximately 10 minutes with soundscape including the voice of Donald Trump. It queries some of our ideas about what it means to make ballet.
Choreographer: Julia K Gleich
Dancers: Michelle Buckley, Eloise Hymas, Karianne Andreasson
Costumes: Manrutt Wongkaew
What it was when it happened
This is a work in progress which explores the ways in which dance can convey moments of forgetting or absence. We have been working with a sound artist who pieced together eight monologues focusing on the moments of confusion and non-expression, where the individuals were struggling to find the right words to explain their exact feelings at a moment of change in their lives. The dancers follow the rhythm of the words, creating an irregular pattern, moving between repetition, confusion and perhaps moments of clarity, thus embodying the experience of forgetting.
Dancers and choreographers: Camille Jetzer and Fran Mangiacasale
Sound artist: Gemma Riggs
DisConnect is a start-up contemporary dance group which currently explores the concept of forgetting through movement, as well as the ways in which dance can bridge the gap between different art forms and means of communication in order to convey that which is absent or forgotten.
An enchanted island in the middle of the ocean and the storm to end all storms, The Tempest in a Teacup re-imagines Shakespeare’s fantastical play for a young audience. We open Prospero’s spell book and out fly the most marvellous creatures. This is a story where fairies are conjured from thin air and books fly like butterflies around the room. Follow the play’s magical characters as they explore the island and find out what happens when strangers are washed onto their land.
This is a playful and interactive adventure using puppetry and storytelling, transporting the audience to this magical island in the middle of the ocean where wondrous things can happen.
Perfect for ages 5+
I close my eyes and think back to the days when I used to stuff my face with mum’s spaghetti bolognese and I loved it, tomato juice dripping all down my chin.
Shez is passionate about strawberry starbursts, her mum’s cooking and her boyfriend’s prickly face.
But when her life seems to slip out of control, she finds herself choosing between the food she loves and the people she cares about, never suspecting that this will become a matter of life and death.
Strawberry Starburst is a heartfelt and poignant new drama about one girl’s battle with her demons…and the lengths she’ll go to fight them.
"The playwright Bram Davidovich has taken extraordinary steps to carry out extensive research into the characters of this play [and] put the utmost effort into ensuring the extreme, raw, emotional rollercoaster of experiencing Anorexia Nervosa is portrayed"
Dr Jessica McClelland and Samantha Rennalls, Institute of Psychiatry, Psychology & Neuroscience, King's College London
Recommended for ages 14+ as there is strong content. Contact the theatre on 02077010100 if you would like further details.
There will be a post show discussion on Friday, 20th May.
“Whilst browsing on the Internet, I found a penguinpig. A creature you could not forget, with a nose that’s just so big…”“
Phoebe reads about an exciting creature called a Penguinpig on the Internet. Filled with delight and intrigue, she sets off on an adventure to find a Penguinpig of her very own. Carefully, she follows the instructions from the website all the way to the zoo – but what will she find inside?
A fun-filled show about the Internet for 3-8 year olds and their grown ups, based on the best-selling picture book by Lincolnshire author Stuart Spendlow, illustrated by Amy Bradley.
Told with beautiful puppetry, catchy songs and accompanied by an original music score, PENGUINPIG is a funny, imaginative and magical experience for families.
“Brilliant story and great illustrations with an important safety message as well - 10/10!!! Every school and family needs a copy!”
BBC’s Claude Littner
“PENGUINPIG is a splendid book. A warning to the world and not just les enfants.”
Ian Whybrow (Children's Author)
Penguinpig was developed with support from Little Angel Theatre and the eCadets, with public funding from Arts Council England, Magna Vitae and Northumberland County Council.
A wanderer returns, driving the people of the city into a ferocious and liberating frenzy. His actions excite, his message thrills, but his mission is revenge.
Euripides’ hedonistic and uncompromising final play comes to the stage in an all-new devised ensemble production. Through the use of spoken word, movement and music this thrilling production examines belief, sexuality and liberation.
A man is just a man, unless that man is God.
The production marks our return to the Blue Elephant after our sell-out production of Shakespeare’s Richard III in 2014.
The Bacchae marks the ninth Greek play in the Lazarus repertoire after Medea 2007, Elektra 2008, Hecuba 2010, Orestes 2011, Electra 2011, The Women of Troy 2012, Iphigenia in Aulis 2012 and Oedipus 2013.
Attitude Magazine on Oedipus
It's about living in The City in a generation of renters, tinder swipers, never-left-the-nesters, budget shoppers, internshipers, over-the-recommended-daily-allowance-drinkers, minimum wage workers, sofa surfers and day dreamers.
It's about how disappointed your spotty sixteen year old self would be by their future life, dominated by Netflix, no money and sharing a shower with eight strangers.
It's about turning 25 and not having your shit together.
It's about people. Six people, and the little snippets that make up a day in their lives. Explored with a jaunty live soundtrack, poetry, dancing and silly voices.
A Working Title is presented as a work in progress and is recommended for ages 14+