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Company number: 3724349

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Past programme

Showcases an eclectic range of fresh and interesting contemporary work, largely by emerging

Parvati's Dark Children: Rehearsed Reading

by Ramneek Singh

Tuesday 22 November 2016

Join us for a rehearsed reading of Parvati's Dark Children by Ramneek Singh, one of the winning plays in our recent play-writing competition.

Set against the backdrop of the Maoist insurrection in the jungles of Bastar, and drawing on mythology attributed to the Gond tribals, Parvati's Dark Children is a play about betrayal, resistance, and expropriation - of land, mythology and worldview. Calibrating themselves on the spectrum of political resistance, a human rights lawyer, his daughter in love with a Maoist rebel, a tribal woman in solitary confinement and a tribal jail guard, renegotiate their positions, creating a vital argument between liberalism and anarchism, pragmatism and idealism, violence and non-violence, cynical and reactionary positions, and above all, between settler cultures and the indigenous way of life.

Tickets are FREE. To reserve your place via Eventbrite, click here.

Ramneek Singh
Jacqui Marchant-Adams
Gopal Gautam (Mishra), Leesa Gazi (Sukdi), Ratna Malay (Nimrat), Ian Recordon (Sandhu) and Suren Seneviratne (Mangtu)

Mad Meg


Friday 18 November 2016 - Saturday 19 November 2016

Mad Meg is a collision of traditional folk and contemporary dance theatre. Threading moving bodies, spoken word, live folk music and driven by the wild rhythms of Appalachia, MAZPOD tell the demise of Mad Meg, an unruly woman whose spirit is at odds with the traditional society she lives in.

You are invited to see the relevance of their fairy tale, set somewhere between a smoky bar in North Carolina and a mossy forest at dawn. As the tragedy unfolds, pass between narrators and characters in the tale and bounce from poignancy to bawdiness, uncovering Mad Meg´s story.

MAZPOD was founded in 2014 and Mad Meg is the company´s first work. It has been performed in the UK and Argentina.

Mad Meg by MAZPOD from MAZPOD on Youtube.


"An engaging first offering from a company I hope to see more of."

Thinking on my Feet

"An intense and intriguing production."

UK Theatre Network

"Mad Meg is a show which is light and comedic, but also sincere and touching."

A Younger Theatre

Supported by


The Very Important Child

Wednesday 16 November 2016

This is about grown up infants.

The Very Important Child is a piece of physical theatre about the development of the ego, psychological warfare, throwing one’s toys out of the pram. Bold and comic, it blends movement, text and music.

The audience sees the complicated politics of two adult egos, two grown-ups who are convinced it is the other person’s fault. The show takes you into the developing mind of a human – the fragile baby living from minute to minute, the god-like toddler, the adult who believes herself ‘fully grown’.

The Very Important Child is a series of connected dances, it is also just a story about people. There are frenzied folk dances, wordless lyrical duets, comic observations of adult conversation and uplifting music.

The Mostly Everything People was founded in 2012 with the aim of creating high quality movement-based theatre for a wide audience, and has since performed nationally and internationally, and were named Canada Water Culture Space (London) Emerging Artists 2015.

The Very Important Child by The Mostly Everything People from The Mostly Everything People on Youtube.

Supported by

  • Arts Council England
  • AMATA (Falmouth University)

This Really Is Too Much

Friday 11 November 2016 - Saturday 12 November 2016

Look. (point) You’ve never had it so good. We. Are moving. Forward.

Outlandish, bold and highly entertaining, This Really Is Too Much delves into a world of farcical stereotypes and preposterous power struggles. With irreverent physicality, four characters wrestle with restriction, gender and performance of identity, trying desperately to work out which box they fit into.

Raucous and thought provoking in equal measure, Gracefool's genre-busting performance reveals the downright absurd realities of what it means to be a 3-dimensional, high definition, water-drinking, salad-eating, moisturizing WO-man in modern society. Dripping with virtuosic charm and anarchic wit, this is feminist comedy dance at its very best.

There will be a post-show discussion following the performance on Saturday 12th November.


"This really is too much is a gleeful, compelling piece and the Gracefools are a group of artists to watch."

Exeunt Magazine

"Highly entertaining as well as thought provoking as Gracefool Collective show the absurdity of trying to be a person as well as a woman in our society..."

UK Theatre Network

"Gracefool Collective have set a standard in visual storytelling, whilst being unapologetic in what they say."

A Young Theatre

Supported by


(we)SINK & Fish Tank: Double Bill

Thursday 10 November 2016

Hawk Dance Theatre is an exciting, emerging company based in the North West and presenting their first double-bill of new work.

(we)SINK (mentored by Gary Clarke)
(we)SINK is a dance performance exploring climate change and human psychology. Inspired by psychological mechanisms that make humans disengage from climate change challenges, this new work, choreographed by Josh Hawkins, explores feelings of distance, doom, dissonance, denial and identity in response to our changing climate. Performed by Emmie Coxey and Freya Thomas, this captivating duet questions whether these defence barriers can be broken and if we will ever truly connect to this topical issue.

Fish Tank
Fish Tank draws similarities and compares the life of a goldfish in its tank to the denials we face when dealing with change. Fish Tank explores different feelings linked to change, and imagines every human has their own ‘fish tank’ full of questions, responsibilities and problems. Fish Tank is a conversation between live spoken word, text, music and dance.

Please note this production will use flour during the performance.

FISH TANK by Hawk Dance Theatre from Hawk Dance Theatre on Vimeo.

Supported by


Morir Soñando

by Stephanie Peña

Monday 7 November 2016 - Tuesday 8 November 2016

Morir Soñando is an exploration of Dominican identity, which deconstructs the national dance Merengue and experiments with how this form of dance translates to the bodies of non-Caribbean dancers.

The work navigates the performers’ understanding of the culture through the use of Merengue music, language and hip movements. Through this exploration, a story starts to unravel revealing betrayal, agony, and power.

Morir Soñando is a roller coaster that will pull the audience along, even those not ready for the ride…


"A beautiful production dealing with the complex subjects of integration and cultural identity ..."

UK Theatre Network

"It is a strong, ‘in-your-face’ message; one that is both timely and timeless."

Afridiziak Theatre News

"The message of Morir Soñando is a hopeful one, one that sees the possibility of staying true to yourself despite pressures to conform."

Dulwich OnView

"Peña's ability to inject a touch of modernity into traditional dance and blend it with storytelling makes for a fascinating half hour."

Views From The Gods


Mirrored, me?

Friday 4 November 2016 - Saturday 5 November 2016

A story of the self and its double, inspired by Edgar Allan Poe’s play William Wilson, is told in this dance performance. It is a game in which different parts of human personality affect and direct the protagonists in the struggle of the self to recognise its diverse sides. During the act, two individuals play with their reflections, bridging the gap between the face and its reflection, between light and shade, between the one who is watching and the one who is being watched. The immersive installation is used as an architectural metaphor, highlighting the very elements of space, suggesting that the boundaries and lines we draw within ourselves about who we are and what we can do are a perception of the mind and a result of a reflection.

There will be a post-show discussion following the performance on Friday 4th November.

Inês Zinho Pinheiro & Bianca Ranieri
Anastasia Papaeleftheriadou
Bertie Ellis Dean
Set Designers
Aliki Kylika & Kyveli Anastassiadi, V.I.P.A (Viral Institute of Performing Architecture)

Inter Pares Project

by Agnese Lanza and Julie Havelund-Willett

Tuesday 25 October 2016

Inter Pares Project is a duet between international dance artists Agnese Lanza and Julie Havelund-Willett.

This piece forms part of an ongoing choreographic research project, which was launched in 2013 as part of a residency at S P A C E @ Clarence Mews. The research is embedded in the performances, and the performances feed directly back into the research, focusing on presence and the act of attending to detail. This performance weaves in and out of set and spontaneous movement, drawing direct inspiration from the architecture and audience of Blue Elephant Theatre.

Choreographed and Performed by
Agnese Lanza and Julie Havelund-Willett

Blue Cloud Scratch

Friday 21 October 2016

Blue Cloud Scratch is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers.

This is the final Blue Cloud Scratch of 2016.

For more about the Blue Cloud Scratch and Cloud Dance Festival, click here.

Under The Light

Choreographer: Ana Sosa, Sosa Dance Company

Ana was diagnosed with Bipolar Disorder and experienced a manic episode when she was 19 years old. Inspired by this terribly illuminating experience, Under The Light attempts to convey the fear and excitement of losing one’s mind. It penetrates the subconscious of the audience, while remaining highly digestible and relatable.

Ana Sosa was born in Mexico, raised in Canada, and lived in New York City for five years. She began her contemporary dance career as a choreographer. Sosa is a recipient of the Eryc Taylor Dance Grant and showed her work at the Martha Graham Studios in NYC. Most recently, she performed a full-length show at the International Book Fair in Hidalgo, Mexico for a 300+ audience.

When in the Company of a Turtle

Choreographer: Natalie Sloth Richter, Open Roof
Music: Oscar Salguero

Mentoring: Charles Linehan

When in the Company of a Turtle is a choreographic exploration of what can come from being alone. The piece looks at the need for companionship and asks what it takes to be your own companion on the stage, on the road, in the dark.

Natalie Sloth Richter is a Danish dance artist who graduated from Trinity Laban in 2015. 
She co-founded the collective Open Roof in the autumn of 2015 and has been creating and presenting her own work since. 
Most recently, Open Roof took two new pieces to Denmark to perform and discuss them and also facilitated workshops. Alongside working within her collective, Natalie is currently performing with the company BitterSuite, which will be touring in London and New York later this year.


Choreographer: Pip Amer, Incendium Dance Company

Equilibrium explores gender stereotypes within Latin and ballroom dance, stripping away the superficial layers and working from the organic essence of the form and the self. Through earthy and sensual movements, the audience will be transported from the showbiz aesthetics of 'Strictly Come Dancing' to the raw and powerful aesthetic of Latin American movements within a human situation.

Pip Amer is a freelance dance artist who recently graduated from Kingston University in July 2015 with a BA (Hons) in Dance. Amer's Latin dance career started when she was 6 years old with strict training in Latin American and Ballroom dance. She focused heavily on technique and competed internationally, representing England. Amer is now exploring her Latin American and ballroom foundation outside of the competition context, taking her artistic vision into a theatrical environment. She believes in the strength and power within the history, fierceness and stylisation of the movement and the visibility it deserves within the dance sector.

Ancestral Whispers

Choreographer: Vanessa Downie, Ajos Dance
Ajos Dance Founding Director: JJ Formento
Music: Night of Visions by Ancestral Voices; Traditional Native American Music

Wrestled from a restless sleep by a dramatic dream, Native American ancestor Kanawha Madonna appears and makes an unreserved request that cannot be refused.

Life will never, ever, be the same again.

This solo explores ways in which the legacy of America’s indigenous peoples can impact one’s life in the present day, tracing changing attitudes relating to the connection with the spirit of ancestry, at first an unsettling source of fear... now viewed as a precious gift.

Ajos Dance makes work that delves into human issues at the centre of everyday life; themes such as loss, homelessness, spirituality prompt deeper questions about our existence. Ajos presents choreographic platforms to develop new audiences for dance by presenting work in an inclusive, accessible way.

Ancestral Whispers is supported by an artist residency at Clarence Mews.
Vanessa would like to extend thanks to JJ Formento and Caroline Salem, without whom, this exciting choreographic journey would not have happened.



Wednesday 19 October 2016 - Thursday 20 October 2016

Speed dating

an organised social activity in which people
seeking romantic relationships have a series of
short conversations with potential partners in
order to determine whether there is mutual

SpeedDating explores the concept of organised social activity and interaction between people in a series of short conversations. Informed by social observation this live composition work incorporates movement and sound, exposing the choreographer’s choice in real-time.

Choreographer Shelley Owen is a dance artist who has predominantly worked in The Netherlands. Researching instant composition and task-based choreography, Shelley explores performer choice and works with original sound scores, often performed live. Recently completed projects include site-specific dance/sound work Hare Hill Project: Resolution supported by The National Trust (Cheshire UK) and Some Kind of Hell, by body painting artist Vilija Vitkute (Amsterdam NL)


The Owl and the Pussycat - SOLD OUT

Sunday 16 October 2016

Both shows are now SOLD OUT. We apologize for any inconvenience.

They danced by the light of the moon, the moon….

This gorgeous new ballet takes a fresh and humorous look at the famous Lear poem. Once again, Let’s All Dance combines fantastic dancing, beautiful costumes and crystal clear story telling to engage and delight young audiences.

Perfect for 2-9 year olds, families, and children with special needs

"The performance was truly magnificent, wonderful! Enjoyed by all, especially my 6 year old granddaughter." - Kristina Attwood, Oxford

"5 stars, my boys (6&8) always enjoy your shows! Thank you." - Tina Hills, Canterbury

"I thought it was amazing... It made me feel happy, I want to come again." - Florence, age 4, Guildford

Supported by



Thursday 13 October 2016

SIGNS is a 30-minute dance piece, fusing contemporary dance with British Sign Language. Performed by two female dancers, this exciting and intricate duet takes inspiration from Colin Thompson's poem If I told you I was deaf would you turn away.

Accompanied by an originally composed music score, it is a highly physical performance that explores the importance of body language in British Sign Language, and the barriers of a Deaf person trying to communicate in a hearing world.

SIGNS is presented as a work-in-progress performance and will be followed by a post-show discussion where we welcome the audience’s feedback.

If you wish to avoid the online booking fee but are unable to call the box office, please email your booking request to and we will get back to you as soon as possible.

On Friday, 14 October, 10:30 am, there will be an accessible beginner's dance workshop with Monica Nicolaides, the Artistic Director of MonixArts and Choreographer of SIGNS.
Places are free but restricted to Southwark residents only. Register here.


"SIGNS has the potential to be a fierce piece of physical theatre..."

Thinking on my Feet

Monica Nicolaides

Supported by

  • Arts Council England
  • Candoco Dance
  • Lottie Barker Productions
  • Hiive
  • Arch 197


by Catharsis

Wednesday 28 September 2016

"There’s a special kind of comfort in thinking it could all end in silence."

You are now twenty nine. A few weeks ago, you attempted to stay twenty nine forever. You failed. Now words fail you.

But you have to attempt to explain anyway.

Catharsis in association with Underfoot present a heady, physical account of euphoria, redemption, and extremity.

This is a story about the fragments of time that hide between words. The things on the fringes of your consciousness. The scenes that happen out of the corner of your eye.

A compelling tale without an ending told to whoever’s around to hear it.

Justin Murray
Orla Sanders
Heather Ralph
Chris Polites
Movement Director
Amy Lawrence
Sound Designer
Paul Freeman
Outside Eyes
Sophie Taylor & Florence Bell
Lighting Designer
Lauren Cameron
Robson Barreto

Things We Should Have Said Today (Rehearsed Reading)

written by Pete Barrett

Tuesday 23 August 2016

Betty is having a bad day. She’s overheating, her mother is demented, her son is coming out, her daughter is getting divorced, the farm is losing money and her husband is hiding away from it all under the tractor. Or is he just dead?

Rehearsed reading of the winning entry of the Blue Elephant's 2015 play writing competition.

This event is FREE but must be booked in advance to guarantee availability. Please click here to book.



LCP Dance Theatre

Wednesday 3 August 2016 - Saturday 6 August 2016

Escape explores the emotional journey of a refugee through struggle, despair and the search for freedom. Fusing aerial performance and dance theatre, Escape explores the impact of a new environment on a refugee, who must face social, political and psychological challenges in order to integrate into a new society.

Joanna Puchala has created choreography that combines contemporary dance with aerial techniques using aerial slings. Elaborate wrapping and falling create movements that heighten the intensity of the scenes and capture the full attention of the audience.

LCP returns to the Blue Elephant following the sell-out success of I Am in 2015 (“Offered something extraordinary” ★★★★ Female Arts). LCP Dance Theatre draws awareness to human rights violations through dance and the company’s past work has been nominated several times for the Amnesty International Freedom of Expression Award.


"provides a surprisingly deep statement on and harrowing interpretation of the theme of escaping."

Everything Theatre

"A compelling dance performance dealing with highly relevant issues."

UK Theatre Network

Directed by
Joanna Puchala
Joanna Puchala & JC Bailey
Composed by
Stefano Guzetti
Multimedia Projection and Graphic Design by
Lidhka Inga