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Company number: 3724349

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Theatre

Windrush Square

by Monument Theatre Company

Dates
Wednesday 3 October - Friday 5 October
Time
8:00 pm
Days of the week
Wednesday - Friday
Ticket price
£12.00
£10.00 (concessions)
£8.00 (southwark residents)
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Get Up, Stand Up, Stand Up for your right

In 1980s Brixton, the community have had enough. It’s time to rise up and pursue equality in the eyes of the law.

Join the Johnsons in the heart of Brixton as an essential part of British history is unearthed and retold through the victories and tragedies of one family.

Both moving and infectiously exuberant, Windrush Square is the Monument Theatre Company’s first production. Recent Physical Theatre graduates from Drama St Mary’s in Twickenham, they developed Windrush Square to illuminate recent history and create theatre which unites all people in a bid to eradicate the barrier between races.


Theatre

It's My Move

Date
Monday 8 October
Times
11:15 am, 1:45 pm
Ticket price
£1.00
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Join Warren, Finley, Melody and Ade as they move into the big wide world.

It’s My Move is about the transition from school to adult life. The 90 mins play is suitable for Learning disabled young people from 14 – 21 years. The piece is based on the ‘Forum Theatre’ style, where the audience explore how to make positive outcomes through changing the actions of the characters. It explores the issues for a group of young people with learning disabilities, and includes multiple communication tools including music, movement, poetry, makaton and film.

Face Front creates theatre that pioneers social change for an inclusive world. We use the transformational power of theatre to improve emotional well-being and address social injustice.
Face Front is led by disabled and non-disabled arts practitioners who make multi-layered theatre that is accessible to all.

'The show was truly amazing. It was inspiring both as an outstanding example of how theatre can make a complex and challenging scenario accessible and empowering to people who have learning difficulties and as a powerful illustration of what people who have learning difficulties can achieve when they have opportunities to work in the performing arts.’
Sally Pavey, Teacher, The Bridge School


Written by:
Julie McNamara & Face Front Inclusive Theatre

Supported by

Theatre

All Aboard with Mr Windrush!

 

Dates
Friday 12 October - Saturday 20 October
Times
4:30 pm

12th October at 16.30 and 18.30, 20th October at 11.00 and 14.00
Days of the week
Saturday

All Aboard! Join Sam Beaver King (one of the original passengers of the Empire Windrush who later went on to found the Notting Hill Carnival and also became the first Black Mayor of Southwark) on his journey.

Children and adults alike will be encouraged to make the boat, sounds and songs of the sea and act as crew members for the Empire Windrush. As the journey continues, traditional Afro/Caribbean and West Indian stories will be told, using drama, music and dance.

We will be telling this amazing tale at two brilliant Southwark locations:

The Artworks (SE17 1AY) on Friday 12th October at 16.30 and 18.30 - book tickets here.

John Harvard Library (SE1 1JA) on Saturday 20th October at 11.00 and 14.00 - book tickets here.

All tickets are FREE but we recommend booking in advance as these performances are likely to fill up quickly.


Theatre

My Brother's Drug

 

Date
Thursday 18 October
Time
8:00 pm
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100

Written and Directed by
Rachel Mervis
Performed by
Elysia Wilson

My mum called me the other day to let me know that they had found my little brother under a bridge....With each new high, I'm starting to think that my little bro must be running out of new lows to hit…

A hard-hitting, emotional exploration of the effects of addiction on the family, My Brother's Drug is a one woman show fusing physical theatre, rhythms and spoken word. Told from the point of view of an addict's sister, it tells the story of a cycle of stolen possessions, 999 calls and disappearances.

My Brother's Drug is produced by GreenWheel Theatre in association with HiddenViewz and presented as a work in progress performance. GreenWheel Theatre specializes in fusion theatre, combining spoken word, movement and political themes. My Brother's Drug is its first play, and it has been performed at the Edinburgh and Isle of Wight fringe festivals. HiddenViewz is a BAME lead production company, which explores political and social issues through theatre and film. They explore harsh realities that are often overlooked in society in an imaginative way through physical, immersive and satirical theatre.

"This show is a must see. Through the art of spoken word, dance and performance, you’re drawn into the life of a concerned sister." Ventnor Town, Fringe Review by Caty Macaulay

"It shows a lot of understanding about the nightmare world of drug addiction, and the emotions felt by the sister come across well." Edinburgh Fringe, Chris Neville-Smith’s Blog on Theatre


Dance

Alice: The Lost Chapter

by Jolene English Dance Theatre
Commissioned by Dance City

Dates
Tuesday 23 October - Wednesday 24 October
Time
8:00 pm
Days of the week
Tuesday and Wednesday
Ticket price
£10.00
£9.00 (concessions)
£8.00 (southwark residents)
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Delving into the obscure mind of Lewis Carroll, this intricate and engaging dance, film and theatre performance takes the onlooker through the subconscious mind of Alice.

Who lives within her imagination: fact or fiction?

Meanwhile, The Queen reviles in Narcissism, The Hatter is engulfed with Madness shackled to Time, the White Rabbit’s anxiety is fueling agitation and The Cheshire Cat’s distorted reality offers insight to those watching on the outside.

Alice: The Lost Chapter is a dark and twisted exploration into the psychological fabric of the classic, Alice in Wonderland.

“The concept of this work is truly brilliant” Anthony Baker, Artistic Director at Dance City

Recommended for ages 14+ (or with parental supervision)


Supported by

Theatre

Canary

Date
Sunday 11 November
Times
4:30 pm, 7:30 pm
Ticket price
£12.00
£10.00 (concessions)
£8.50 (southwark residents)
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Meet Agnes, Anne and Betty, a motley crew of munitions workers 'doing their bit' for the war. They make bombs.

Factory life seems perfect until an air raid sends them on an explosive journey through euphoric emancipation, forbidden friendships and anarchic dreams.

Canary was created in collaboration with the award winning Teatro En Vilo. Seamlessly combining high quality physical theatre with contemporary sound design, the show offers audiences a rare insight into life during the First World War from the unique perspective of Britain’s munitions workers; The Canary Girls.

Join Fun in the Oven Theatre as they celebrate and commemorate the lives of Britain’s unsung war heroes.

Suitable for audiences 12+ with parental guidance (Canary contains mild references of a sexual nature and mild swearing)

Fun in the Oven Theatre is a physical theatre company based in Newcastle Upon Tyne. Founded in 2015, they are fast becoming the North East's leading company for physical theatre through delivery of shows, workshops and events. The company’s distinctive style combines sharp physical theatre and contemporary sound design to create dynamic shows that capture our audiences’ hearts and minds.

"My favourite theatre experience of the year"
Matthew Crow, Independent on Sunday
"Three hugely versatile actors held us spellbound"
Julia Wright, Teesdale Mercury
"Hilarious, heartbreaking, brilliant"
Audience member at Northern Stage


Director:
Andrea Jimenez
Movement Director:
Noemi Fernandez
Dramaturgs:
Andrea Jimenez & Noemi Fernandez
Sound Designer:
Roma Yagnik
Costume Designer:
Amy Jones at the Art Emporium & Sam Fisher
Historical Consultant:
Tracy Gillman
Photography & Design:
Chris Bishop
2018 Tour Producer:
Katie Tranter
Associate Producer & Consultant:
Carole Wears at Carole W Productions
Cast
Robyn Hambrook, Alys North & Katie Tranter

Supported by

Theatre

Bright Raven!

by HOAX

Date
Thursday 15 November
Time
8:00 pm
Ticket price
£6.00
£5.00 (concessions)
£5.00 (southwark residents)
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Bright Raven! is here. to. stir. some. sh*****t up. She’s starting a cult(ish) revolution and she wants YOU to sign your soul up. Blending dark clown and electronic music, Bright Raven! is a rallying whoo-up for these turbulent times.

HOAX is a company of theatre makers. They specialise in provocative contemporary work and concrete piping. They blend text, physical theatre and comedy to give voice to social and ecological issues. They are very serious and very silly.


Performer:
Flavia Bertram
Director:
Stephen Sobal
Musical Director:
Anna-Helena McLean
Sound Design:
Lawrence Kendrick
Producer:
HOAX
Special thanks to
Sarah Fraser, Ayesha Tansey, Avninder Nanray

Supported by

Dance

For Only An Hour

Dates
Friday 16 November - Saturday 17 November
Time
8:00 pm
Days of the week
Friday and Saturday
Ticket price
£12.00
£10.00 (concessions)
£7.50 (southwark residents)
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Join us For Only An Hour, a queer manifesto told through dance, song, spoken word and performance art. Danced to a hilarious medley of Angela Lansbury, Delia Smith and Bette Midler, this one man romp is a pseudo-glamouress jaunt through pop culture, queer art, childhood dreams and life changing surgery. It speaks of the urge to survive through many things, by leaning into humour, openness, hard truths and visibility.

It demands a punishing vulnerability of the performer and is supported by a haunting music offering by Donna McKevitt, glittering queer garments by Andrew Walker, artistic mentoring by Wendy Houston and a unique improvised lighting design by Jen Wren.

SARDOVILLE are a ‘repertoire-esque’ theatre company which roughly translates as ‘Hold on to your knickers, anything could happen’. The company have worked together for a decade and delight in bringing stories that are moving, entertaining and perplexing.

Recommended for ages 16+, or 14+ with parental consent


Created and performed by
Phil Sanger
Image Credit:
Brian Slater
Theatre

Whisper Me Happy Ever After

Date
Monday 19 November
Times
10:30 am, 1:30 pm
Ticket price
£1.00
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Who do you turn to when the story just won’t go the way you want it to?

Big brother Aaron’s great at making up adventures but Yasmin longs for happy ever afters like Mum used to tell... but Mum doesn’t have time anymore.

The play follows a family experiencing domestic abuse and explores the effects on the mental health of children who witness it. It is both humorous and disturbing.

The audience share lots of practical and emotional thinking about what they could do in a similar situation.
After the theatre piece, pupils interact with the characters and consider what they could have done to get the help they needed and deserved.

Subsequently, pupils can talk to our counsellor and team members to discuss personal issues raised by the play.

Face Front creates theatre that pioneers social change for an inclusive world. We use the transformational power of theatre to improve emotional well-being and address social injustice.
Face Front is led by disabled and non-disabled arts practitioners who make multi-layered theatre that is accessible to all.

"The varied groups of actors have always demonstrated high levels of performing excellence and an ability to engage with young audiences. This testifies to the rigorous training and support which Face Front invests in their actors and the dedication to the aims of inclusive theatre."
Audience review, Haringey Citizenship and Participation Manager


Written by:
Julie McNamara & Face Front Inclusive Theatre

Supported by

Dance

#nofilter

by ella&co

Date
Wednesday 21 November
Times
4:30 pm, 8:00 pm

Q&A to follow the evening performance
Ticket price
£7.00
£5.00 (concessions)
£5.00 (southwark residents)
Online booking (incurs 10% booking fee)
Ticketweb

To avoid the online booking fee please ring the box office on 020 7701 0100


Avocado on toast. Cankle insecurity. Boomerang obsession.

It’s not easy being a millennial.

Journey through confessions of a millennial in the comedic and relevant #nofilter. A fast paced series of images, movement and dialogue ponder the curious and fantastical in millennial life. Bright, zesty and at times touchingly tender, #nofilter brings our performative online personas to the performative stage setting with just a small helping of kale.

Founded in 2017 by Ella Fleetwood, ella&co. creates work that is relevant, reflective and accessible to artsy and non-artsy folk alike. Ella’s work has recently been produced for the Nunhead Art Trail, Queen Elizabeth Olympic Park and the Southbank Centre.

“A bold and thoroughly engaging new work that pokes fun at the millennial generation and its self-obsessed culture…four likeable, quirky women made #nofilter lighthearted and enjoyable.”
Daisy Moorcroft, Resolution Review

“#nofilter by ella&co. is #fresh #humorous #cool, and a thoroughly entertaining end to the evening.”
Savannah Saunders, Resolution Review

Supported by Arts Council England, The Point, University of Chichester and Arts University Bournemouth

#nofilter promo from Ella Fleetwood on Vimeo.


Dancers:
Eva Escrich, Ella Fleetwood, Julia Jordan & Amy Morvell
Sound Designer:
Adrien Hollocou
Lighting Designer:
Marine Le Houezec

Supported by